A few days ago, I was inspired by a frustrated (I think we should give more credit to frustration as inspiration) article written by Tanya DePass of I Need Diverse Games. Her article led me to think about what I do in both my consumption and production of media with regard to people that are different from me and experiences that are different from my own.
Note – Before I dig into this topic, it’s important to acknowledge that anything I say here is built on the work of many other people who have done much more thinking about this than I have. If you are a writer of any kind, you should absolutely read Writing the Other by Nisi Shawl and Cynthia Ward. That’s a good place to start.
This will be a two-part exploration on writing diverse characters. This first part focuses more on the need for such characters and how we should approach them as audience members. The second part will dig into how I address this as a writer and game designer, including how this approach helps me to write “for” rather than “about.”
Tanya DePass of I Need Diverse Games reminded us just yesterday of the tired and stupid argument against diversity that there is somehow a zero-sum game of aspirational hero characters in movies, games, comics, etc. That somehow making more A-list properties with characters that are women, or black, or gay, or (heaven forbid) all of the above will take heroes away from straight white males.
Tanya’s post dismantles this complaint pretty handily, so I don’t need to add anything to that. But there’s another side of this that I want to address:
What does it mean to aspire? Continue reading
Three things have happened in the last few days to remind me just how incredibly bitter some people become at the suggestion that we need to include a wider range of voices in gaming.